the way music is being delivered has changed, he said. “People don’t seem to want to listen to a body of work, an album, any more. And, most rock bands built a reputation on a body of work – they might take three albums to really hone their art, to become great, but young people don’t want that. They home in on a track, a sound, then, ping, off again to the next one. Pop pervades, not that there’s anything wrong with pop. I think it will come round again but it will take time.” Goldsmith, 69, also revealed that he has teamed up with Robin de Levita, the Dutch producer of the Who’s 1970s rock musical Tommy, at a new 1,100-seat theatre in Wembley, which is due to be finished in time for the first stage adaptation of the phenomenally successful teen book and movie series The Hunger Games in June 2016. De Levita would, said Goldsmith, be bringing his experimental SceneAround concept to London – theatre that puts the audience seating on a turntable that rotates round a series of scenes built around its circumference, accompanied by projections on panel screens. The concept was pioneered in an aircraft hangar outside Amsterdam and has proved hugely successful. Goldsmith, who is already planning to bring a production of the Anne Frank story to the as-yet-unnamed venue, said: “It’s a whole completely different way of producing shows.” During his Hay